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Books ship mid-October.

In the Swan Drawing by Michael D Snediker

The homely ornation of Snediker’s poems can keep some of you warm, some of you cold. It’s not that a self isn’t here but what can a fragment do and where. The point of departure is an effort at thinking landscape as the growing back of what isn’t there, enough collaged to learn a new relation to being lost in it. For the sake of love spell syllables around the rim of a plate. It’s not that a self isn’t here but in this world of griefs one could do worse than carving some breathing room into an estrangement, carrying it out.  

Michael D. Snediker’s most recent book of poems is Jones Very (Ornithopter Press). He's also the author of Contingent Figure: Chronic Pain & Queer Embodiment and Queer Optimism: Lyric Personhood & Other Felicitous Persuasions, both published by U. Minnesota Press. His poems have appeared in journals including, The Atlantic, Brooklyn Rail, The Drift, Lana Turner, and VOLT, and he is Professor of American Literature and Poetics at the University of Houston. He's presently writing about landscape as ascesis in Henry David Thoreau, Lauren Berlant, and Leslie Scalapino.

Available for pre-order.

Books ship mid-October.

In the Swan Drawing by Michael D Snediker

The homely ornation of Snediker’s poems can keep some of you warm, some of you cold. It’s not that a self isn’t here but what can a fragment do and where. The point of departure is an effort at thinking landscape as the growing back of what isn’t there, enough collaged to learn a new relation to being lost in it. For the sake of love spell syllables around the rim of a plate. It’s not that a self isn’t here but in this world of griefs one could do worse than carving some breathing room into an estrangement, carrying it out.  

Michael D. Snediker’s most recent book of poems is Jones Very (Ornithopter Press). He's also the author of Contingent Figure: Chronic Pain & Queer Embodiment and Queer Optimism: Lyric Personhood & Other Felicitous Persuasions, both published by U. Minnesota Press. His poems have appeared in journals including, The Atlantic, Brooklyn Rail, The Drift, Lana Turner, and VOLT, and he is Professor of American Literature and Poetics at the University of Houston. He's presently writing about landscape as ascesis in Henry David Thoreau, Lauren Berlant, and Leslie Scalapino.