Border109;Thick Border13;
/ thick border13 is an endless sentence repeat the
endless repetition of these words that transform into language10
transform into border109
transform into bodies with varied levels of visibility12
transform into a hole the shape of word count transform into a hole
into borders inside which my tongue fails
into words I fail / bodies24 failed, border /-ed/ inside the
border /-s/ of my tongue lies
what lies on the bare back of bodies transformed peripheral50
transformed desire and derision border /-ing/ transformed into bodies other (-ed)
into failure to contain range from banks
exclusion to contain this border to bodies
of bodies /
those sites and this enforcement of border regimes thicken
of others / transform into language into periphery into
exclusion into power into positioning into bodies in
to this endless repetition of my tongue of
margins21 / now periphery is the centre
now the peripheralization of bodies that become the centre now an
other46 /-ing/ those margins of
visibility in the centre my word
count count a repeated othering
/ count bodies perform /-ed/ other /-ed/
repeated the border /-ing/ thickens
/ count this failure to contain this
exclusion22 of bodies other /-ed/ this
exclusionary failure
thicken /-s/ the border through
marginalisation / limbo7 means
border inside the borders of
my tongue of margins
other /-ed/
these bodies excluded range from banks
repeated borders to repeated through bodies othered to bodies this
border /-ing/ in limbo this thick border
visible repeated anguag /-ed/
Notes:
109. Border109;Thick Border13; is a new text written in response to Pinelopi Gardika’s [the author’s] thesis, The border thickens: Reflections on the border from above and from within (London: Goldsmiths University of London, 2024). The thesis examines the impermeability of imperial borders that are inscribed onto the racialised bodies confronted with hostile border regimes.
13. The piece responds to the original text by scrutinising the language employed and identifying repetition as at once a semiotic failure and a semiotic tool. The numbers in superscript count the appearance of those words in the original text.
Pinelópi is an architect and researcher whose work explores the intersections of cultural heritage, urban segregation, and racial discrimination. Her practice spans architectural research, experimental writing, and publishing, with a critical focus on the politics of representation. She is a graduate of the Centre for Research Architecture and has previously worked with Forensic Architecture in London, the artist’s book platform bladr in Copenhagen and the design collective K41.